Selected Works
Poetry
Red Wheelbarrow (February 2024) | “Some of What He Told Me”, “Bryant Park”
New Note Poetry Journal (October 2023) | “The Lightyears”
The Write Launch (September, 2023) | “To the Dead Man Living Inside My Knee”, “What I Thought Was Light Pollution Was Really God
Southern Humanities Review (Prize Edition, December 2022) | “Training Ground”, “Swatches”
Beyond Queer Words | “Pulse” (2022)
As the World Burns (2021)|“Before COVID We Had Curtains”, “Shelter In Place”, “Quarantine Night”
Aurora (Vol. 2, 2021)| “Enough”
Pigeon Pages (August, 2020)| “Perhaps Because I Have Neither”
The Bellevue Literary Review (Vol. 38) (2020) | “The Grief Economy 1: The Dark Market”
Peculiar: a queer literary journal (Issue 8, 2020) | “Flooring Pecha Kucha”
Not-Very-Quiet (September, 2019) | “Consumption”
The San Antonio Review (July, 2019) | “Dry”
Smitten: This is What Love Looks Like, Poetry for Women by Women (2019) | “For Alice, Summer 2005”, “In the Closet”, “Revisiting Tohono Chul, For Alice, 13 Years Later”
Nonfiction
Mythology Lessons (2020) Tusculum Review
Fauxmoir (September 2023) | “Glass” (CNF pecha kucha)
Hybrid Works
EXHIBITIONS
Artists Books
The Book Arts Program, Marriott Library, University of Utah: Booking a Brouhaha | “Ocean”, “Home”, and “My Friend in Forensics Tells Me” displayed December 2021-March 2022.
Red Noise Collective (September 2023) | “Ocean” (digitized book arts CNF hybrid)
uminate Magazine’s The Waking (April 2021) | “Composite Characters: Alice” (photo essay)
Photography
Saltfront (Issue 9, 2021) | “What to Tip the Boatman”
Hey! I’m Alive! (Issue 2, 2019) | “No! To the Bad Man”
Carcoza Magazine (2019) | “The Glass Factory”